NEWS
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THE ART OF STAYING HOME Artists in the Time of Corona Exhibition 08 Dec 2020 - 28 Dec 2020 the exhibition will open in Alexandria, at the mouth of the Nile - |
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"The Art of Staying at Home Who could have foreseen the events that overtook the world at the start of this year? We are already in December 2020! Where has the time gone? Work has halted, personal plans have been disrupted, and people have been confined to their homes. Time has evaporated between quarantine, isolation, precautionary measures, fear, anxiety, stress, and boredom. Among those who were confounded on how to spend this abnormal period were artists; like most people, some knew how to use their time wisely, while many closed in on themselves, feeling confused and anxious about these unusual circumstances. Their impressions of how they felt about that time were what we sought to observe in this exhibition, with the aim of sharing our own experiences and feelings during this critical phase with each other." Gamal Hosni, Director Art Exhibitions and Collections Department Lockdown, 2020, 50 x 70 cm, Digital print
"The Confinement Series began while working on my eco-dystopian series, RatKind. The shocking images of children in cages, separated from their parents by the order of the American president Donald Trump made an irreversible impression of the North American morality, and deeply impacted my optimism for a positive response to climate change. With the event of the SARS-CoV-2, this impression has been reinforced in unimaginable ways. It has given new depth to the image of a younger generation held captive by the limited imagination, empathy, and courage of several governments around the world. The images were shot and then processed through standard and infra-red spectrums." Bonnie Baxter |
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2020 | GROUP EXHIBITION PRESS RELEASE Blouin Division is excited to celebrate the alliance of Galerie Division and Galerie René Blouin with the opening of our major inaugural exhibition. Presenting thirty-six artists from multiple generations, the exhibition examines the range of thematic and formal strategies informing, and often connecting, their work. 2020 rue William | Montréal | Québec | H3J 1R8 | T. 514.938.3863 | www.blouin-division.com |
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À l'épreuve
until July 20, 2020 372 rue Ste-Catherine Ouest, #426
À l'épreuve est un projet de création de multiples d’artiste développé par Arprim, centre d’essai en art imprimé, qui explore une vision de la reproductibilité multidisciplinaire, large et ouverte. Inspiré par la résurgence de l’art qui se fait à la maison, avec les outils du quotidien, une quarantaine d’artistes proposent des éditions inédites de 3 à 10 exemplaires créées durant la période de confinement. |
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Bonnie Baxter, Sabot de la vierge, 2018 (RatKind series), 27 x 40 inches, digital print PAPIER 2020 |
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Art Souterrain february 29 - march 22, 2020 RatKind and Poppies |
Observatoire Place Ville Marie
1, Place Ville Marie H3B 2G2 Montreal, Quebec
February 29 - March 22 hours Mondays to Thursdays - 10am - 5pm Fridays & Saturdays - 10am - 6pm Sundays - 11am - 6pm |
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«Spirit Matter»: l'amie des bêtes, Delgado, Jérôme, Critique Arts visuels, Le Devoir, 25 janvier 2020 > |
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BONNIE BAXTER
SPIRIT MATTER |
EXHIBITION JANUARY 10 TO FEBRUARY 15, 2020 ARTIST TALK SATURDAY, JANUARY 25, 3PM |
A flywheel of dualities —Spirit/Matter - Body/Soul - Breath/Death—Bonnie Baxter’s Spirit Matter asks you to pause for a sensory-based proposal. Divergent mediums and technologies tug at our primal responses: a looming rat/man figure flooded with de-naturing light pushes against a wall—pricking at our phobias like the smell of a hospital. Passage through a small portal brings you to a 360° continuum of great loping wolfhounds—embodiments of body, coursing in endless circles. Their desire for life is like ouroboros: inevitable, compelling, frightening, joyous. Above, chimeric angels hover—an aurora of synapses firing. Together the elements form both an intoxicating diorama of Gaia and an artist’s rendering of the cerebrum. (...) Centre d'art et de diffusion CLARK |
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Vous ne les avez pas vus à la dernière foire AUCTION 2019 AT THE MAC LAU
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BONNIE BAXTER RATKIND - PARADISE LOST September 9, 2019 – October 18, 2019, 11 a.m. – 6 p.m. VERNISSAGE |
READ REVIEW "Bonnie Baxter: Kindness Over Kind" by Christine Unger > |
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Quand la collection
prédit l'avenir NEW ACQUISITIONS ILLUMINATION OF THE SUSPENDED CEILING
The MAC LAU presents a selection of the finest work from its permanent collection. This is the inaugural installation of a series of exhibitions under the title, "Quand la collection prèdit l'avenir" dedicated to the Museum's continued commitment to refelction on its past as an important part of its transformation in the future. MAC LAU - Musée d’art contemporain des Laurentides www.maclau.ca |
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RatKind : The Troubling Universe of Bonnie Baxter >
With her series "RatKind," major contemporary Quebec artist, Bonnie Baxter, poses questions as essential and distrubing as the fate of humanity. Powerful work that confronts us with our own fears as well as the vision of an increasingly probable future, "RatKind" won the Prix Télé-Québec on the occasion of the 11th International Contemporary Print Biennial of Trois-Rivières." www.biectr.ca Director, camera and editing: Jean-Luc Daigle
Garden Sculptures: Michel Beaudry Enormous thank yous to: Jules Beauchamp Desbiens, of DigiFab Concordia University; the entire team of the Centre d'exposition Raymond-Lasnier; as well as Élisabeth Mathieu, of the Biennale internationale d'estampe contemporaine de Trois-Rivières. |
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Matrix, Ink and Paper
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53 artists from 21 different countries from June 16 to September 8 Biectr Website > |
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Bonnie Baxter Lecture (French Only) presented by the Department of Visual Arts University of Moncton Room 206A, Pavillon des Arts
T. 506 858-4033 or email: artsvisuels@moncton.ca |
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BONNIE BAXTER Gravures des archives de l'Atelier de l'Île (1977 - 1998) Du 8 décembre 2018 au 10 février 2019 Vernissage, 8 décembre, 14h à 17h Visitez le site de l'Atelier de l'Île > |
Invitation to the "FINISSAGE" of the exhibition "BONNIE BAXTER, collection of the archives of l'Atelier de l'île - 1977-1998" at Espace Atelier on the island of Val-David, Saturday, February 9, 2019, 14:00 to 16:00and sale of her work Soy la Serpiente (Bonnie Baxter, 1990. Engraved wood, 100 cm x 75 cm) for the benefit of l'Atelier de l'île. During the year 2018 and early 2019, well-deserved tributes are paid to the artist engraver Bonnie Baxter of Val-David. Ms. Baxter was awarded the "Grand Prix Soleil" at the 29th edition of the 2018 Laurentian Grands Prix des Grands Prix, awarded every five years to a leading artist for her entire national and international career ( his predecessors being Gilles Vigneault and Robert Charlebois).From November 25 2018 to January 27 2019, in celebration of it's 40th Anniversary, the Musée d'Art Contemporain des Laurentides (MAC LAU) under the curation of Jonathan Demers, presented the exhibition « Bonnie Baxter - PRÉSENT PASSÉ FUTUR », a presentation of three of her series from the last 10 years – Jane's Journey (2008), The Tragic and Premature Death of Jane (2016) et RatKind (2018). On until March 2nd 2019 at the Atelier-Galerie A. Piroir de Montréal is also presenting «BONNIE BAXTER RATKIND ». And now the Atelier de l'île of Val-David is pleased to present « BONNIE BAXTER, collection des archives de l'Atelier de l'île - 1977-1998 » (and recent work) and to hold a « FINISSAGE » for the exhibition Saturday the 9th of February from 2 pm to 4pm. Bonnie Baxter was one of the first members of Atelier de l'île in 1975, where she began her career in print. In addition to the exhibition, Mrs. Baxter generously offers one of her wood engravings from 1990: Soy la Serpiente (1990, 100 cm x 75 cm.) for the benefit of the Atelier de l'île in the amount of $ 1,600. The file « Le 18 juillet 2015 - FAIRE IMPRESSION AU ROULEAU COMPRESSEUR », from Director, Nicole Deschamps will be presented during the «Finissage ». The film recounts the preparations, training, and realization of 40 wood engravings under the artistic direction of Bonnie Baxter, and printed on July 18, 2015 in the public square of Val-David with the help of a real steamroller. The exceptional work of the Atelier de l'île team in organizing their 40th anniversary, this event and the exhibitions that have resulted in recent years throughout Quebec, has been rewarded with the "Ambassador's Award" in 2018 from the Conseil de la culture des Laurentides. L’Atelier is situated at 1289, rue Jean-Baptiste-Dufresne, in Val-David (at the heart of the village near the bicycle trail). Conact information: art@atelier.qc.ca, 819-322-6359, www.atelier.qc.ca. |
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ÉVÉNEMENTS
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Bonnie Baxter
PRESENT | PAST | FUTURE CURATOR - JONATHAN DEMERS JANE'S JOURNEY (2008) FINAL WEEK ! PHOTO CREDITS - LUCIEN LISABELLE |
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(JD. an excerpt from the exhibition text) L’été dernier, nous avions réussi à mettre en place le contexte nécessaire à la réalisation d’une murale conçue par Bonnie Baxter et qui devait être produite sur la place publique de Saint-Jérôme, à deux pas du nouveau Théâtre Gilles Vigneault. À 24h du début de sa réalisation et après avoir présenté moi-même la maquette aux autorités locales, fortes étonnées et à la fin fortes enthousiastes de soutenir la réalisation de ce projet, j’ai reçu un coup de téléphone m’informant que ladite murale ne pourrait être réalisée. |
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Nous ouvrons le parcours de l'exposition par un fragment de cette murale destinée à la place publique, qui trouve sa place comme une brèche dans le mur de la galerie et qui nous mènera un peu plus tard ailleurs dans la ville. Faite à la bombe aérosol comme le veut la tradition du graffiti, on y voit ce personnage circonscrit par une arche, la même architecture que l’on retrouve plantée dans le parc Labelle et qui encadre semblablement la statue du curé du même nom. Reprenant la mimique de la statue qui pointe vers le nord, figurant une attitude plus près de la résistance et arborant le masque manifestant la désobéissance civile, le personnage au dos arqué pointe plutôt vers une route opposée. Il contre-indique ce que la statue propose depuis près de 100 ans (Alfred Laliberté, 1924), statufiée, téléromantisée, comme le chemin à prendre pour arriver à la vie bonne pour les mortels. On pourrait taxer le personnage de vouloir jouer les trouble-fêtes, mais il pourrait aussi être là pour s’en prendre à l’autorité (qu’elle soit religieuse ou politique), ainsi qu’à l’intérêt personnel qui désincarne coup après coup le bien commun. Du même souffle, il pourrait être en train de nous dire… get the fuck out of here... |
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Le récit de Jane a déjà été – Jane’s Journey, 2008 – tout comme celui de sa mort – The Tragic and Premature Death of Jane, 2016 – et leur restitution m’est dorénavant difficile à faire. Parce que, à ces deux histoires, s’ajoute la tierce part de la trilogie à partir de laquelle, ni le voyage de Jane, ni sa mort prématurée, ne peuvent être les mêmes. Alors qu’aujourd’hui apparait la suite de la vie de Jane – RatKind, 2018 –, il faut, inévitablement, réécrire ce qui s’est passé. |
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Le texte de Chintamani (écrit en 2016 et appartenant à la série de la mort de Jane) qui commence, ou presque, l’exposition relève de ce temps retrouvé où la prémonition témoigne, aujourd'hui, de la lettre d’intention. |
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De l’archétype de la blonde, Bonnie Baxter fait apparaitre à la fin du récit de Jane, au moment d’y donner la mort tragique, la figure du rat qu’elle présente comme son inconscient. Une forme de réincarnation qui revêt, à l’opposé de la séduisante Jane, la figure du rat pour qui les sentiments généraux soulèvent plutôt l’aversion et la peur. Le choix de cette figure est juste, et l’expérience de la murale confirme sa force. | |||||
RatKind (la dernière production de l'artiste) apparait dans un local loué occupé jusqu’à tout récemment par un courtier d’assurance. C’est là que nous avons installé la troisième partie de l’exposition, son troisième chapitre. Entre le Musée et le 330 de la rue Saint-Georges, vous aurez longé le parc Labelle et aurez remarqué dans un paysage d’hiver la statue, les arches, etc. Dans la foulée de cette marche, vous pourrez prendre connaissance de cette information : en urbanisme, on calcule le nombre de rats vivants dans une ville en équivalence à ses habitants. 1:1, comme si nous avions tous et toutes notre rat de qui nous sommes l’image, ou à l’inverse, qui nous représente au sein de sa communauté. |
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On trouve dans cette nouvelle série d’images une communauté qui a retrouvé, dans un paysage singulier, un espace commun à partager. Est-il nécessaire de savoir que ce jardin est celui de l’artiste, là où elle vit depuis 1982 ? Peut-être, si le voyage de Jane avait pour destination un exercice de mémoire, l’habitat de ce nouveau groupe à proximité de l’intime a, pour la suite du récit, sa part de sens. |
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Il faut, dans RatKind, voir une réponse à un état général de la vie actuelle où la peur devient un véhicule de constitution identitaire et politique, avec le danger que cela présuppose. La désobéissance de l’un, qui a tenté de se faire voir sur les murs de la ville afin de confronter son image à celles des autres, devient pour sa famille le paradis inventé des peurs assumées. |
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À travers son voyage, et même dans sa mort, Jane s’est éprise d’une mission, celle de confronter ses peurs et de transcender la plus vertigineuse de toutes, la mort. L’image du rat comme véhicule d’une peur ambiante n’aurait pas pu être mieux choisie pour donner suite aux récits de Jane (ni le bureau d’assurance). La responsabilité qu’elle s’est donnée s’élargit, ici, au sein de cette communauté, quelque part issue de son inconscient. |
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The exhibition at the Museum - Tuesday to Sunday, noon to 5pm and at 330 rue Saint-Georges in St-Jérôme, Thursdays and Fridays, noon to 5pm Saturdays and Sundays, noon to 4:30pm |
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Bonnie Baxter & Shawn David (aka HOAR), making the mural, November 21, 2018, MAC LAU
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Associated Exhibitions |
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Bonnie Baxter, Showdown, bois grave au laser, 36 x 48 pouces, 2016
Avec l’aimable permission de l'artiste |
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BONNIE BAXTER
Prints from the archives of Atelier de l'Île (1977 - 1998) December 8th 2018 au February 10th, 2019 Visit Atelier de l'Île's website > RATKIND |
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Bonnie Baxter sincerely thanks Jonathan Demers and the staff of the MAC LAU and for the immesurable contribution of all the artists, actors, technicians, freinds and students, and, of course, Boomer, Michel Beaudry, without whom the passionate adventure of this project would not be possible.
Bonnie Baxter is also thankful for the CUPFA professional development grants which she has received from the University of Concordia. |
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Se rendre au MAC LAU de Montréal
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ÉVÉNEMENTS
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EXHIBITION |
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BONNIE BAXTER
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Jane, Laser Engraved Plate. 24 x 24 inches, 2016 | The Rat, Laser Engraved Plate. 24 x 24 inches, 2016
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PRESENT | PAST | FUTURE
CURATOR - JONATHAN DEMERS Jane’s Journey The Tragic and Premature Death of Jane RatKind 3 Months, 3 Series, 3 Interconnected Narratives Vernissage Exhibition • concurrent exhibitions are listed at the bottom of this email |
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In the context of the 40th anniversary of the Musée d'art contemporain des Laurentides (MAC LAU), Bonnie Baxter, whose art practice has grown up along with the museum itself, will exhibit a comprehensive exhibition of three of her series from the past 10 years. Curator Jonathan Demers employs the anachronistic nature of the exhibition's elements to play on memory, expectation and to expand preconceived notions of the retrospective. Opening this November 25th at the MAC LAU, it will be the first time that Baxter's two Jane series - Jane's Journey and The Tragic and Premature Death of Jane - are shown together and in their entirety. At the same time, her new series, RatKind will infest the city of Saint-Jérome, appearing incrementally and finding its way into Montreal as well, beginning with a site specific installation in 15 rooms of the deserted insurance premises on 330 Rue Saint-Georges on Saint-Jérôme's main street. Past, present and future come together in one multi-faceted exhibition exploring the source of our identity, the burden of our past, and the frightening challenges of our future. RatKind, a projection into an implausible future-topia asks us to overcome our fears, rational and irrational, to find it in ourselves to adapt, recognizing the value of all forms of intelligence, all ways of being, even if it means overcoming prejudices and phobias as deeply held as our loathing of Rats and instead, embracing all Kinds. |
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BAIN PARIS (Jane's Journey series), Digital Print, 51 x 38.5 inches each
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It began in the past, in a para-autobiographical journey, Bonnie Baxter travelled through her own geographical history in the guise of the archetype Jane, the blue eyed blond stereotype that had been her ally and her enemy throughout her career to create the series, Jane's Journey in 2008. | ||
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MOTEL RAT (The Tragic and Premature Death of Jane series), 24 x 48 inches, Laser engraved plate, 2016
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In 2011 Baxter had had enough, Jane was taking over her career, in a devious twist, she killed Jane off in classic Pulp Fiction style with an over the top narrative dripping with lust, betrayal, murder, miss/taken identity, and a touch of the supernatural. By 2016, 8 years after Jane's Journey, she had created her second Jane series, The Tragic and Premature Death of Jane. Already, the rat had made an appearance, lurking in Jane's subconscious, a nagging embodiment of the memories Jane needed to face before she could move on. | ||
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MOTEL (RatKind series), Digital Print, 40 x 60 inches, 2018
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Now, just two years later, the Rat has risen to the surface and refuses to be ignored. The future is here. Who is this Rat? In RatKind the figure of the rat emerges as a dark mirror of our moral and social consciousness. It manifests in a dreamlike futuristic utopia reminiscent of Bosch’s Garden of Delights. RatKind is a new species resulting from the convergence of human and rat DNA, a cautionary tale of the consequences of keeping unpleasant or fearful things repressed: the things that keep humankind from confronting injustice, prejudice, and greed and correcting issues of poverty, inequality, global warming, and loss of community. The series has a gentle humour and an inclusive spirit. In trying to make sense of the world around her, Baxter asks the viewer to reimagine our survival in a world that recognizes and celebrates the interdependence of all forms of intelligence, animal or vegetable.
text by Christine Unger |
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BONNIE BAXTER
Prints from the archives of Atelier de l'Île (1977 - 1998)
December 8, 2018 to February 10th, 2019 Vernissage, December 8th, 2pm to 5pm Visit the Atelier de l'Île website > |
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PRIX LES GRANDS SOLEILS |
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Alexandre Gélinas (President of the CCL), Pierre Leblanc, (artist who created the award statue), Bonnie Baxter (Lauréate) Bernard Lamarche, (Director of the Musée national des beaux-arts du Québec (MNBAQ)), and Michel Beaudry (Artist).
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NEWS
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Current and Upcoming Exhibitions |
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9th INTERNATIONAL PRINTMAKING BIENNIAL DOURO 2018 Museo do Douro Alijo (Portugal) Museu do Douro website > 10 August - 31 October 2018 |
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La Collection Prêt d'œuvres de l'UdeS |
NEWS
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ARCHIVE
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AUCTION 2018 Musée d'art contemporain des Laurentides
"Following the success of its edition 2017, it is with pleasure that MAC LAU repeats its benefit auction this fall, on the occasion of 40th anniversary... the event is the institution's largest fundraising event. The funds raised allow the MAC LAU to assume its role of museum and to offer committed exhibitions, to initiate projects which are part of its community and which place the institution as a socio-cultural factor in the Laurentians, but also in the Greater Montreal." |
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IMPACT 10: ENCUENTRO ESPAÑA
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EXPOSICIÓN DEL LIBRO- LEYENDAS DEL MAJUY 2018 Première Biennale internationale de gravure de Cota, Colombie 21 - 31 August, 2018 download biennale pdf > |
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April 26 - June 10, 2018 |
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THE 2017 CHARLES-BIDDLE PRIZE AWARDED TO BONNIE BAXTER
"The Minister of Immigration, Diversity and Inclusion, Mr. David Heurtel, and the President and CEO of Culture pour tous, Mme Louise Sicuro, presented the 2017 Charles Biddle Award to the artist today. In visual arts Bonnie Baxter, on the occasion of the launch of activities of the Quebec Week of Intercultural Encounters (SQRI). |
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The 2017 President’s Excellence in Teaching Awards
“These awards celebrate one of our core missions,” she said, going on to note that many of Concordia’s Strategic Directions are directly linked to teaching. This year’s honoured professors embody those directions, motivating their students to experiment boldly, get their hands dirty and go beyond the classroom." Part-time faculty
Assistant professor Brandiff Caron Assistant professor Rosemary Reilly Associate professor
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RÉTROSPECTIVE DU FESTIVAL ART SOUTERRAIN 2016 dans le cadre du programme CAM en tournée September 16 - October 29, 2017 La bibliothèque Rivière-des-Prairies, Montréal October 31- December 9, 2017 Maison de la culture de Verdun DU CORPS MÉTAMORPHOSÉ AU CORPS IMPRIMÉ
Curators : Mylène Gervais and Cynthia Ortega Salgado Medium : Prints on paper (Source : Mylène Gervais and Cynthia Ortega Salgado, curators) |
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Du corps métamorphosé au corps imprimé, Centre d’exposition Raymond-Lasnier, Trois-Rivières, (Québec) October 22 - 19 November 19, 2017 Vernissage : Sunday Octobre 22, 2017, 2pm
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VOYONS VOIR... LA COLLECTION DE LA VILLE DE MONTRÉAL S'EXPOSE ! Visual and Media Arts La Maison de la culture de Côte-des-Neiges September 16 - 12 November 12, 2017 A selection of works from the PADORAC Acquisitions of Artworks (PADORAC) to draw attention to the artistic production of the last five years. |
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Novembre 12, 2pm - 5pm |
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3rd GLOBAL PRINT website > Museu do Côa Rua do Museu 5150-610 Vila Nova de Foz Côa Portugalcoa Museu, foz coa city, Portugal website > AUGUST 1, 2017 - 30 SEPTEMBER 30, 2017
"The exhibition “3rd Global Print 2017”, inaugurated this year, offers visitors a collection of 543 artists from 67 countries from all the continents. Prints by renowned artists, professors, but also by many young graduates and students, are exhibited together in various collective exhibitions, emphasizing, cultural diversity, technical diversity, virtuosity and creative innovation, but above all else, the richness and excellence of communication through art, which is the true purpose of its existence and of the DOURO BIENNIAL. |
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FAIRE IMPRESSION The 40th Anniversary of Atelier de l'île de Val David An artist run studio for contemporary print Galerie R3, Biennale internationale d'estampe contemporaine de Trois-Rivières (Québec)
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XYLON
hors normes
2e édition de l'exposition XYLON hors normes Maison de la culture Mercier 8105, rue Hochelaga, Montréal January 15 - February 19, 2017 invited artists: Bonnie Baxter, René Derouin, Francine Simonin Maison del la culture Mercier, Montréal (Québec) |
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Pour l’Art
Galerie B-312 © Pour l'art—Galerie B-312—2017 |
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PAPIER 17- Foire d’art a l’Arsenal, Montréal (Québec) GALERIE DIVISION Kiosque B02 21 April - 23 April, 2017 website > |
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XYLON hors normes Du 3 septembre au 16 octobre, 2016 de 12h à 17h September 3 - October 16, 2016 noon to 5pm
176, chemin du Bord-du-Lac - Lakeshore
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From September 3 to October 16, the Stewart Hall Art Gallery is pleased to present the works of 27 artists participating in the Xylon hors normes exhibition. In 2014 Xylon-Québec invited artists from all mediums to submit projects showcasing unconventional uses of relief printing. Joining the 24 selected artists are the three accomplished guest artists known for their practices that are as innovative as they are demanding. Without renouncing its origins, with the Xylon hors normes exhibition, the association is presenting a non-exhaustive look at the ground-breaking practices and helping to situate relief printing in a contemporary context. |
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invited artists Bonnie Baxter, René Derouin, Francine Simonin selected artists Jocelyne Benoît, Marie-France Bertrand, Micheline Bertrand, Claudette Delisle |
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19 MARCH 19 — APRIL 30, 2016 La mort tragique et prématurée de Jane GALERIE DIVISION Montréal 2020 rue William www.galeriedivision.com |
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MY NAME IS JANE › |
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february 27 to march 20, 2016 |